Gong Zuo Shi
c(l)ue(l)ess
04/11 - 04/25
![]()
Meyer, Franz Sales,
The Symbol, Plate 75, No. 8, sculpture, in Meyer,
A Handbook of Ornament, 1920, p.133
This exhibition explores the dynamic relationship between image and text, presenting the gallery’s initial research into an art form that operates through prompts—open-ended textual cues that invite interpretation. The works on view investigate how prompts shape meaning, how viewers navigate the space between instruction and perception, and how image-based information, often rooted in art history, mediates this process. By emphasizing the fluidity of interpretation, the exhibition highlights the tension between authorial intent and the viewer’s agency in constructing meaning
c(l)ue(l)ess
04/11 - 04/25
Meyer, Franz Sales,
The Symbol, Plate 75, No. 8, sculpture, in Meyer,
A Handbook of Ornament, 1920, p.133
This exhibition explores the dynamic relationship between image and text, presenting the gallery’s initial research into an art form that operates through prompts—open-ended textual cues that invite interpretation. The works on view investigate how prompts shape meaning, how viewers navigate the space between instruction and perception, and how image-based information, often rooted in art history, mediates this process. By emphasizing the fluidity of interpretation, the exhibition highlights the tension between authorial intent and the viewer’s agency in constructing meaning